Bellicose Minds – The Creature.jpg

Mastering The Bellicose Minds “The Creature” on Black Water and Sabotage Records.

“The Creature is the latest release and second LP from the Portland Oregon based dark punk trio Bellicose minds. Recorded in the winter of 2015/2016 at Red Lantern studios. The LP features 8 tracks of buzz saw guitars, driving bass and searing drums.”

Buy it here!



Remastering Broccoli “Home” on Drunken Sailor Records.

“Originally released on Rugger Bugger Records in 1998 and long out of print. 
Re-released to coincide with a forthcoming Japanese tour, we couldn’t be more excited to be able to release this classic record. Re-Mastered by North London Bomb Factory Mastering with the first 100 on Clear Vinyl. Comes with instant download. 
Formed out of Pondlife in the early 90s, the then Scottish outfit embedded itself firmly into the DIY scene, joining the likes of Jawbreaker and The Get Up Kids here and there, as well as scene regulars Chopper, Hooton 3 Car, Crocodile God, Leatherface and Snuff. Their sound was drawn out of their various interests from hardcore punk to Sonic Youth. ‘Home’, built the bridge between those and late-90’s emo icons and contemporaries at the time such as Texas Is The Reason and Sunny Day Real Estate. 
Nearly 20 years on, it still sounds dark, desperate, urgent and essential. Quite simply a seminal record.”

Buy it here!


Cook Jerks Demo.jpg

Mastering Cool Jerks “Demo 2016″on Tapetalks.

“Cool Jerks grew up in Grimston, England. A town where punk rock was illegal until 2010. They played in secret for many years, only being able to practice for 15 minutes at a time in between police patrols. The demo took 8 years to write and the band played for the first time when the Grimston wall was knocked down on 5th August 2010. They are all welders.”

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Mastering Cult Values “s/t” on Sabotage Records and Static Age Records (Europe) and Deranged Records (North America).

Recorded and mixed by Tobias Lil.

“Cult Values was formed in October 2014 in Berlin as an international collaboration between people from the USA, New Zealand, Austria and Germany. After recording a much acclaimed demo in 2015 (out on Berlin’s own Static Age Rec.) and a line up change on drums right after, CV started playing tons of shows in Germany and the periphery as well as writing songs for an LP. Said record was finally recorded in December 2015 by Tobias Lill. Musically, there is something very early American hardcore meets moody punk about their sound, defined by fast, melodic, and confident guitar play reminiscent of Articles of Faith and more recently Criminal Code. Cult Values deliver 10 tracks of potent dark hardcore that will surely leave those hungry for a solid contemporary take on a classic sound quite satisfied.”

Buy it here!



Mastering Arcane “Whispers” on Last Hour Records.

Recorded by Stan Wright at Buzz or Howl Studios
Lacquer Cut by Amy Dragon at Telegraph Mastering

Taken from Screaming for Years:

“TEARS OF A MOTHER” is the blistering lead single from ARCANE’s debut album ‘Whispers.’

I don’t have too much information on the Seattle based trio (other than Craig, Allen & Ben), but what I do know is that they’re gloom merchants who deal in scorched deathrock. Taking the basis of the trad goth rock of So Cal and combining it with PNW anarcho peace punk, and doing it oh so well.

“Tears Of A Mother” starts off raucously tribal with drums fills and shouted sprints, before quickly morphing into a scratchy & measured goth-rock ode, then once again turning the screw towards catharsis. Arcane are a fiercely raw lot, taking all those echoes of the past and channeling them into the modern dichotomy. 

Press play and get fucked…”

Buy it here!



Mastering The Shifters “Creggan Shops” on It Takes Two Records.

One of my favourite records to have worked on in 2016!

“There’s more than a few moments on the debut single from Melbourne, Australia’s the Shifters that suggest, at least as far as I can tell, that they might be more than a little familiar with the work of Mark E. Smith and company. The deadpan male/female vocal pairing and minimalist rhythmic repetition, repetition, repetition worked into “Creggan Shops” and “Captain Hindsight” sound like they’ve been lovingly traced from the blueprints of the Fall’s’ early, scrappy glory days (Live at the Witch Trials through Hex Enduction Hour, if you’re keeping score), with all of that band’s tightly-wound paranoia, if slightly less of a sense of imminent and inevitable volatile self-destruction. But the Shifters are equally capable of twisting their sound into a fractured, low-fidelity pop sprawl that takes some further cues from the scrappy, rough and tumble sounds of the early-to-mid ‘80s Flying Nun Records catalog, with that particular synthesis of inspirations serving as an implicit reminder that the Fall had, in their heyday, conquered the Top 20 charts in New Zealand. After this record, the Shifters really deserve no less for themselves. 
-Erika Elizabeth (Maximum Rock’n’Roll, Futures and Pasts radio)”

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Mastering Suicidas “Baile de Mascaras” on Sabotage Records.

“Suicidas are back with two new super catchy songs.

SUICIDAS involves the voice of RUIDOSA INMUNDICIA and shares or shared members with DEMENZIA KOLEKTIVA, BARCELONA DESTINO FINAL and a bunch of others. Driving fast forward Punkrock from somewhere between Barcelona and Vienna.”

Buy it here!



Mastering The Pessimists “Six Songs” on Nada Nada Discos.

“Kinda punk, kinda post-punk, kinda garagey stuff from members if RAKTA, FUTURO, and GARAGE FUZZ. Dunno what else to say other than listen to it below.”

Buy it here!



CBH - Get Me Fired

Mastering CBH “Get Me Fired” on 4490 Records.

“From the same crew that brought you LifeLock and Snaggletooth (aka most of your favorite Singapore bands) comes their newest badass rock’n’roll output: Charged CBH.
You can probably guess, based on the name and cover art, that this is classic UK82 style. And like their other bands, this shit rocks HARD, complete with catchy powerhouse riffing, high charge drumming, and a total badass swagger that can’t be learned, you either got it or you don’t. GREAT RECORD!!!!!”


Futuro Terror Su Nombre

Mastering Futuro Terror “Su Nombre Real es Otro” on B-Core Disc.

Futuro Terror se unen a la casa, y lo hace para editar su segundo álbum, lo que los anglosajones llaman el “sophomore album”, el álbum de revalida secuela de un más que soberbio y potente debut con el que los alicantinos ya se pusieron por sí mismos el listón muy alto, lo cual sólo ha servido para espolear aún más al siempre solvente trió alicantino, que parece haber encontrado esa ansiada e inusual formula magistral que combina calidad, buen hacer y una capacidad asombrosa de crear temas que embaucan, seducen y crean adicción casi instantáneamente.

“Su Nombre Real es Otro”, jeroglífico nombre han elegido para esta nueva colección de 13 temas en los que la banda tenía claro que, sin perder su concentrada y conseguida receta que los ha llevado por el buen camino desde sus inicios, debían ir un paso mas allá usando los ingredientes principales que ellos siempre han sabido mezclar con singular destreza en precisas combinaciones que les ha hecho crear un estilo propio y contagioso basado, por un lado en una precipitada cadencia que los lleva a crear temas cortos y concisos en los que nunca falta ni sobra nada, y por otro una siempre presencia de persistente base melódica que ellos son capaces de resolver con destreza a pesar de la energía y tajante resolución de sus temas.

En esta ocasión han pretendido, con un más que exitoso resultado, ser aún más directos, más precisos, más descarnados, ir todavía más al grano, lo que les sigue confiriendo esa imponente actitud y aptitud punk, a pesar de presentar un nuevo disco donde el pop está más presente que nunca, lo que les ha hecho crear temas de fulminante pegada pero de asequible y brillante manejabilidad, para lo cual tenían claro que necesitaban sentirse como en casa, y por ello han vuelto a repetir en el estudio de Marco Velasco en Alhama de Murcia, Miradoor Studios, donde estos temas han encontrado su hábitat natural para ser grabados de un tirón, todos a la vez, en directo, consiguiendo plasmarlos en el vinilo tal y como ellos pretendían, con un sonido más crudo, apenas vuelta y vuelta, pero sin ampararse tan solo en la tralla y reivindicando aún mas la melodía siempre presente en sus temas.

El diseño de la portada ha corrido a cargo del ilustrador y dibujante de cómics Adrían Bago, que apoyándose en el impactante nombre del grupo y en el particular nombre del álbum ha creado una fantástica historia que ha obtenido el efecto pretendido por la banda, algo que fuera mas allá de la mera e insustanciosa estética, y es que este disco estaá pensado en todo detalle y en todo momento, para dejar claro que Futuro Terror es más que nunca y en tiempo record uno de los bastiones más importantes e imponentes de la siempre afinada costa levantina.”

Buy it here!


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